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Read Odd Books

Book: Liquid Conspiracy: JFK, LSD, the CIA, Area 51 & UFOs

Author: George Piccard (can’t find a current site or blog for Piccard so if anyone knows if he dwells online, let me know and I will update this)

Type of Book: Non fiction, conspiracy theory

Why Do I Consider This Book Odd: Conspiracy theory is always odd and this is no exception.

Availability: Published by Adventures Unlimited Press in 1999, I purchased this from my local amazing strange book source, Brave New Books, but they are revamping their online store, so for now, you can get a copy here:

Comments: Okay, this book and others like it are why I decided to ax I Read Everything and make it just an occasional sidebar to this site. You see, I read so much faster than I write and when I take too much time to discuss a book after I have read it, with some books it feels like I have forgotten huge chunks of the content. This happens especially with scatter-shot conspiracy theory like this because at some point, most of this stuff eventually covers the same ground. I mean, I will always know Icke’s alien lizard theory from James Shelby Downard’s mystical topography but unless you are a conspirator rock star, it can be hard to keep things straight unless you discuss the book within a few days of reading it. In order to give my first odd love its due, I need to just focus on the weird, you know?

And this book is wonderfully weird. And in some ways it makes sense and in other ways I can see how I lost the thread of how all of this held together, but Liquid Conspiracy explains an interesting theory, to some observable level of success, though it was all a bit mutable. It’s supposed to be mutable, though. It’s liquid, you see. But give Piccard his due, as he has a pretty interesting theory on how things work behind the scenes and under the surfaces.

Now, if you think the “liquid conspiracy” in this book refers to copious amounts of acid, you are not alone, because that was my first thought too, that all of this revolved around LSD and its impact on JFK, the CIA, etc. But really, Liquid Conspiracy refers to the information Piccard claims he received from a man called Kilder, a man who worked for the RAF during WWII and in his capacity as some sort of governmental flunky managed to find out who the men behind the curtain are and what they want to do. It is, as referenced in the book, a “Grand Unification Theory of Conspiracy.”

The elderly Englishman contacted Piccard with his information and unloaded it all before he died and Piccard did his best to verify it. Luckily, Kilder had a photographic memory (one day I will go off on a rant about how it is eidetic memory does not mean what people think it means and how it is often more than not a relatively useless trait, but that day is not today) and wrote a lot of things down. Of course, the skeptic in me is always immediately ready to snert when a clerk in some governmental agency is able to get the lowdown on the conspiracy controlling the world because, you know, it’s a damn conspiracy and you’d think they’d be a little more careful in how they disseminate their evil plans, especially when they know they have a clerk with a photographic memory who has access to their nefarious plans, but all I can do is give my head a shake, refuse to approach this with reason, relax and enjoy the show. I advise that you do the same.

Relax… Because here it comes. The Liquid Conspiracy features all the usual players in conspiracies that control the world. The Knights Templar, the Knights of Malta, the Masons, the Illuminati, the Rothschilds, Adam Weishaupt, the Federal Reserve, the Catholic Church, Skull and Bones, Nazis, aliens, Communists and on and on. You’ve likely heard it all before or read it on websites that are generally nothing but a wall of Geocities text with a series of eyes in pyramids blinking at you when you reach the bottom of the page. And really, it’s nothing new. There are men behind the curtain, lots of them, some with competing interests but all with a common goal of keeping us, the common men, so distracted from their goals that they keep us in chains and we wreck our interests as they keep all the power and the money away from us.

But the conspiracy Kilder shared with Piccard is that all of the forces that seek to control the world entered into a pact.

The Knights, the Elders, and the aliens made a pact. The conspiracy–its character subtly changed with their recent collaboration–made its final plans for the coming One World Order. The dangerous union of the Freemasons, the Illuminati, and the Templar Knights and the Roman Catholic Church with the support of the Grey aliens, brought to an end a fifteen hundred year struggle. These rival groups came together to put aside their previous animosities and to forge an invincible power.

And why not. Why wouldn’t the Masons, the Illuminati and little green–er–gray men join together? In unity there is strength, right? The proof for this alliance is what Piccard calls “The Breakfast with the Kingmakers of ’45.” Present at this breakfast were representatives of all the major conspiracies, twelve entities in total, and it was then they merged together to form a sort of perpetually moving, form-fitting, Lycra-blend conspiracy.

The new conspiracy was an entity unto itself. Using ritual magic and technologies still never spoken of, the attendees initiated an incredible device. A poltergeist of sorts, an ever-evolving energy form which would transfer power inner-dimensionally, from thought to reality. This curse (and I use these terms with reservation, for there is no other terminology to describe it) would grow, mutate, and adapt to the desires of its masters. The will of the secret world government would come to manifest physically. Still, actual temporal involvement was absolutely required. But with the aid and intelligence of their psychic contraption, their desires faced no opposition in the realm of the feeble masses.

So, it’s not just the aliens and the Trilateral Commission and the Masons and the Illuminati and the greasy soul of Prescott Bush we got to worry about. It’s a device that can… I don’t know… control our minds and adapt our reality on behalf of all these combined conspirators. Yeah, this is one helluva theory. All based on the photographic memory of some British clerk and who am I, in all seriousness, to argue with that.

You think I am being sarcastic? Well, maybe a bit, but for me conspiracy theory in a very real manner is not dissimilar to religion, an attempt to explain that which seems hidden, mysterious, beyond comprehension. There is a gossamer thread that runs from being very suspicious about the Federal Reserve to believing that there is a bizarre cabal that uses an inexplicable “psychic contraption” to blur things so we cannot see how they are perpetually working behind the scenes. One is a reasonable but at times paranoiac topic, the other is an attempt to create a story to force the world into a mechanism that to them makes more sense than the randomness that often surrounds world events, and it is all too easy to start with one and end up wallowing in the other. Human beings like believing strange things. It is a part of who we are as a species.

I mean, is a “psychic contraption” uniting the Bilderbergers and the Catholics and the aliens really that more outlandish than a talking bush afire or immaculate conception or some awesome guy rising from the dead? Of course that’s up to the individual but atheist though I am, I recognize that wacky beliefs fuel the world and I have always wondered why some wacky beliefs make the cut for widespread belief and some don’t. I suspect it is personal salvation and a sense of a larger presence looking out for us in a positive manner, something that most conspiracy theory lacks, but the cynics among us might think that makes conspiracy theory more believable.

But an angel Moroni brought Joseph Smith golden plates and a British clerk named Kilder remembered a bunch of fantastic stuff, wrote it down and shared it with Piccard and there isn’t a whole lot of proof for either happening so all you can do is decide whether or not you believe. I don’t believe either, mainly because I lack of capacity for belief but conspiracy is amazing to me in the same way religion is because I love seeing what it is that make people believe and how beliefs evolve. Conspiracy is a religion, pure and simple, a religion without a savior, and in a way, that makes it all the more amazing. So yeah, I give this no credence but I don’t have to because I love it for what it is, not for its truth or reality.

So back to Piccard. After chapter one, the rest of the book becomes his version of world events filtered through the lens of his take on the conspiracy controlling the world, and even without this filter, this book is a good conspiracy primer because it covers pretty decently a lot of territory, from Operation Paperclip to LSD as a CIA means of mind control and how it influenced the Kennedy administration, the JFK assassination, Area 51 and UFOs, MK-ULTRA, Jim Jones, the general complete anomaly that is the state of Ohio and AIDS. This is just a small sample of what this book discusses and like I said, if you remove the whole Liquid Conspiracy you still get an excellent overview of conspiracy and high weirdness in general. I could spend a lot of time dissecting the weirdness but this is not new weirdness outside of the Liquid Conspiracy. All that is different is the interpretation of the forces behind it. So if you are new to conspiracy, you could do a lot worse than begin your trip into this cloudy place of utter paranoia reading this book.

So I say read it. I haven’t been able to find out much about George Piccard online and that’s a shame that this guy may have petered out at some point, but this kind of thing gets exhausting for men who are not made of stern and lunatic stuff, like Alex Jones. But even as a side player in the madness, I think Piccard deserves a look.

Hi, all. If you have been trying to get in touch with me and had your message bounce or I never got back to you, it is because my hosting provider e-mail screwed everything up and I didn’t know it until Mr. Oddbooks took matters into his own hands and fixed it today. I lack the vocabulary to explain what happened and the will to understand it better to get the vocabulary to explain it but it should be fixed forever, hopefully.

So I promise I am not a heinous witchgirl who refuses to communicate. I’m just avoidant where this sort thing is concerned. Sorry. And seriously, if it was important, get back to me because though I don’t like e-mail, per se, I always answer it.

Book: The Egg Said Nothing

Author: Caris O’Malley

Type of Book: Bizarro, fiction, novella

Why Do I Consider This Book Odd: It’s bizarro, of course.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: So Bizarro Week comes to an end with Caris O’Malley’s The Egg Said Nothing, but of course I need to get some business taken care of before we can move on to the book discussion. Because I really want to showcase the awesomeness of the New Bizarro Author Series, I am giving away a free copy of every book I discussed this week. All you have to do to enter to win a copy of O’Malley’s book is to leave a comment to this entry and I will put your name in the drawing for the book. Leave the comment today, 2/18/11, before 9:00 pm CST.

To the book. I’m gonna come out right now and say I am unsure if I really know how this book ends. I have an idea that I might know but I am sort of unclear if I genuinely understand how O’Malley concludes this book aside from the fact that that the protagonist seems to get caught in a never ending spiral of trying to do the right thing but being prevented from succeeding. He is literally being prevented from making difficult moral decisions by the man he once was. I tried to talk about the book with a friend and she immediately referenced the movie Inception, which I have not seen and likely never will, and I probably shouldn’t have mentioned it but you never know – that information may mean something to one of you.

Let me offer as much of a synopsis as I can without completely spoiling the book: Manny lays an egg. He wakes up one morning and he finds himself bare in the nether regions with an egg between his legs. Manny is sort of hostile and paranoid. He’s probably got that avoidant personality disorder that’s become all the rage now. He finances his life by stealing money from wishing fountains. He spends most of his time watching television. But when he sees the egg, it triggers in him something that is a mixture of the maternal and the paternal and he tries to take care of the egg. He goes to a diner and meets a waitress whose teeth, skin and scent enchant him. They hang out at a laundromat and eat vending machine food. They fall in love fast because they have to because this is a novella and they have sex and the egg… Well it doesn’t hatch so much as it breaks and what is inside is unexpected. What is inside I will not state explicitly because I think that would be the first link in spoiling the chain of the plot but the contents of the egg begin a series of circular events that test Manny’s mettle, his love for this new woman who offers him a new life, his morality and his sense of reality. Manny is given the chance to prevent a series of events that will trigger a world-wide catastrophe but he will have to make decisions no man should be asked to make. All in all, this is a really loopy, sad, absorbing look at a miserable hipster who lays an egg and changes his life only to have to destroy all that makes him happy in order to achieve a higher moral end.

Gah, I hate synopses that vague but the fact is, this is one of those books you need to buy and read and absorb. It crams an astonishing amount into a novella and despite the brevity, will cause you to think in depth about the plot. You will wonder about Manny’s morality. You will find yourself Googling quantum physics and wondering if there is a way the plot could have happened. It will make you question at what point we are asking too much of a person, in that post-college way when you wondered, if time travel were possible, if you would have strangled an infant Hitler or killed your grandfather in order to save the world if it meant that you were essentially ensuring you and your family would never exist.

And in the midst of creating these sorts of thoughts, O’Malley also creates a hero I could identify with all too well. I loved Manny. Loved him. If I had a penis and was single, I could have been Manny (before reading this, I dreamt I gave birth to an enormous goldfish and knew it was a baby even as it swam in a big tank though the doctors and family told me it was a fish so maybe I was in a the right frame of mind when I began this book). Manny’s love of John Hughes films also covered a bit of common ground with me. But mostly I loved Manny because he was such crank before he fell in love.

Take this passage that occurs early in the book, just after he discovers the egg:

When I woke up, I had this odd sensation. My lower half felt more sensitive. Felt exposed. If you’re the sort of person who sleeps nude, you might not understand. Or maybe you will. Maybe that’s why you do it. But, for my own reasons, I never do. It’s uncomfortable for me. I have a healthy sense of of shame about my person. Only rarely does someone come into my apartment. And if that person comes in while I’m sleeping, that person will not find me without my clothes on.

I hear Manny on this one. I don’t even like being barefoot. If a fire breaks out in the house and I am naked, I will have to remain naked because I will have to round up the cats and get them out of the house and there will be no time to get dressed so unless I am in the shower when the fire breaks out, I have seriously mitigated the chances of being found naked by firefighters or helpful neighbors trying to stop the conflagration. I’ve given this a lot of thought, as has Manny. We know you can never work too hard to ensure a state of complete body coverage.

But Manny shows even more so how we are on a common wavelength, following immediately from the above paragraph:

And that person will never find me in any state of undress because people do not come into my apartment without me knowing about it. And I would ever let anyone in while I was sleeping. I’m not the kind of guy who leaves a key under the mat so visitors can come as they please. I have a single key to my apartment on my chain. The only other copy is buried in a park six miles away. It is in an unmarked hole. And everything I just said about the whereabouts of my spare key is a lie because I don’t want you to know where my goddamned key is.

While I have not become as lock conscious as Manny, I will say that if I still lived in an apartment, I would mimic putting a deadbolt on the side where the hinges are. I can’t believe I never thought of that on my own and I totally do not think his eight locks are a sign of complete paranoia. I say this not only because of the naked matrix but also the dreaded “finding a couple of drunk drag worms in my living room in the middle of the night, scaring the cats” scenario that played out in my funky, downtown, shithole apartment in 2000. There is a fine line between paranoia and plain common sense and I may not be the person to declare Manny a genius among men, I know that, but I liked Manny more than any character I have read in a while, which probably says a lot about me, I think.

Just the way Manny thinks is wonderful to me:

There the egg sat. If it had eyes, I’d say it looked at me hopefully, but, since it didn’t, I’ll say instead it looked at me speckled. It was a light blue with reddish speckles. Like I think a robin’s egg might look, only bigger. But I’m not aware of ever seeing a robin or its egg, so I have no real way of knowing.

I like this manner of meandering, this sort of non-linear wandering through a logical yet disorganized mind.

Because Manny is eminently logical, though utterly random:

On a big enough scale, everything is less weird than something else. It’s more probable for me to have laid an egg than for me to have laid a perfect twelve-inch replica of the Statue of Liberty. Which, in itself, is a thousand times more likely than laying a perfect functioning replica of Ivan Raimi.

This is sort of weird in a way because this is the second time in less than a year that I have found myself on a near-perfect wavelength with a male character named Manny. I absolutely loved and seriously understood Manny DeLeon, the hero of Stewart O’Nan’s Last Night at the Lobster, an utterly norm book. If it happens a third time, I suspect I will have to get some sort of literary intervention.

My love for this Manny makes perfect sense because despite being the sort of man who is paranoid, grumpy, sort of grubby and of decidedly poor eating habits, after inspecting his nethers to see if passing the egg had damaged him in any manner, Manny begins to nurture the egg. He pulls out blankets and tucks it in. He calls 9-1-1 for advice but comes up empty handed and just wings it, so to speak. He regards the egg:

It looked kind of like me, I think. As much as such a thing can look like a person. It looked like an introspective egg.

“What do I do with you?” I asked the egg.

The egg said nothing.

So he covers the egg with towels and sets up a space heater to ensure this egg that sort of looks like him survives. Someone calls him and tells him to destroy the egg but he doesn’t, even though the voice calling him sounds like his own. And in the name of all that is wordy with me, it kills me but I sort of have to stop because it is here that the metaphysical ramifications of the book show themselves and to discuss them in depth will destroy the reason to read this book. Just know that in a world where time is linear and dimensions are finite, none of this book is possible. The end of the book happened before the egg was ever laid but the egg had to be laid before the end could happen and it goes on in this manner, making you realize that you should have known by page 11 that none of this was going to end in a manner that seemed possible:

The egg was akin to a child, an unwilling, unknowing collection of matter, thrust into a nasty world. Imagine, for a moment, what it’s going to be like for whatever’s inside that egg. Even if it’s human, life is going to be hard

You see, by the strange quantum physics in this novella, he knew what was inside that egg even if in that portion of limitless dimensions available to him he didn’t know he knew. And once you read the book and ponder that fact, this whole book, ostensibly about a cranky dude who watches movies on TV and lays an egg and falls in love and has to make all kinds of draconian decisions when all he really wants to do is watch The Breakfast Club, eat potato chips, nurture his egg and hang out with his new girlfriend, is really a manifesto about the nature of reality and morality. Manny is Everyman, No Man, and lives in an existential clusterfuck that ensures his life is not going to turn out how he deserves even though he proves despite his curmudgeonly paranoia that he is a man who is capable of love, dedication and selflessness.

I think that despite the fact that I love the characterization in this book and just like Manny in general, that the real reason that you should read this book is that in all the potential choices of how to handle Manny, O’Malley never took the easy way out or resorted to cheap sentimentality. There is no deus ex machina. There’s just Manny, the egg, the girl, modern technology and terrible choices. The phone psychic who knows her shit cannot save him. The girl, whose name is Ashley, cannot save him. And the hell of it is, even he cannot save himself because as this book proves, Manny is literally his own enemy.

And sorry all I can provide you with is a lot of talk about the metaphysics of the book, vague discussions of how well O’Malley handles the plot, and portions of Manny’s thoughts that were especially akin to my own paranoiac synapses. But I want you to buy this book and read it cover to cover and come back here and tell me what you thought. This book shows O’Malley has a fine sense of the odd, a clever but snarky mindset and a masterful hand at plot and he needs to be able to write more books. As awesome as the New Bizarro Author Series is, authors have to prove they can be money makers in order to get a book contract. Let’s all buy this book and ensure we get to hear more from O’Malley.

And today is the last giveaway, and I want to thank everyone who commented faithfully. I wish I had a million dollars and could give a book to everyone who comments, but since I can’t, please be sure to come back because I plan to have more themed weeks in the future. March will be zombies and, yes, there will be free books. But please leave a comment if you would like to enter the drawing for a free copy of The Egg Said Nothing. You have through 9:00 pm CST today, 2/18/11, to leave a comment and that comment will enter you in the drawing.

I want to thank everyone who helped make Bizarro Week so fun for me. I appreciate the authors for spreading the word and I’ve enjoyed reading all the new people in my comments, notably Hira H, Omino, Evil Gringo, Monsieur, my excellent friend Ted from Romania, and all my friends from my personal blog. I love talking about books, I love giving away books and this week has been a blast because of all the excellent people who commented here. Thanks to every single one of you.

Book: Felix and the Sacred Thor

Author: James Steele

Type of Book: Bizarro, fiction, novella, bestiality, indescribable

Why Do I Consider This Book Odd: This is one of those times wherein just saying “Bizarro, duh,” doesn’t even begin to cover it. Oh my god, this book is why bizarro exists as a genre because there is no other category that could come close to classifying Steele’s weird book.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: Before I dive head first into this book, let’s get Bizarro Week business out of the way. Because I think the New Bizarro Author Series is an amazing idea that needs a lot of attention, I will always give away a free copy when I review any book from this series (and I may give away more books in the future – we’ll see how the old bank account looks after I finally crack and file my taxes). So if you want to enter the drawing to win a free copy of this book, all you have to do is leave me a comment to this entry. So simple. You have until 9:00 pm CST today, 2/17/11, to leave that comment, so get cracking.

I have to be brutally honest here and just get the negative out of the way. This book contains two things I loathe deeply: references to gaming and forced sodomy. Seriously, the former is an irritant and the latter is an OMG because I just get freaked out by the image of so much non-consensual buttsex. I’m a girl. What can I say. It’s all just a part of who I am. So almost needless to say, this book irritated me and made me uncomfortable. Though the forced sodomy is handled in a manner that makes sense in the narrative and because I have reached the limit of what I can tolerate in terms of feminist advocacy with the whole “raped to sleep by dickwolves” situation, I don’t find anything offensive in this book. Don’t mistake being squicked out from time to time with being offended. I mean, it’s a book in which everyone is into bestiality (I had to create a tag for it, and frankly I was surprised I didn’t already have one) and the characters exact justice using very large animal dildos. Honestly, there is no way anyone who is the least bit prudish, easily upset or easily offended should read this book. But then again, most people who are prudish, easily upset or easily offended are likely not reading this site.

I am a woman for whom nothing is shocking once I get used to it so I was not really that put off by the content in this book but man, Steele made me uncomfortable as hell in just the first few pages. Not a “let’s go online and start a flame war” sort of uncomfortableness, but rather an “I need to encase this book in concrete and drop it in the ocean” sort of way. But I got over it and while I cannot wholly say if I like this book in its entirety, I don’t know if it needs that sort of advocacy. It is so demented and bizarre and gross it calls out to be read by every fan of the outre in the same way David Baker’s book does. In fact, I think the world needs to get these two in a room and sweat them out, bottle their salty leavings and pour it on normal people to see what happens. Bloody revolution followed by a really perverted orgy, I suspect. That or issue restraining orders against them so they can never meet. Either way.

But let me be clear – it is a personal reaction, looking at the cartoonish sodomy in this book, a satiric device to show how casually people have come to accept their continual degradation in a society and remembering that horrible scene from American Me. And even within this personal reaction, I can see clearly that Steele is going for the extreme, pushing the envelope in a manner that will either appear hilarious or disturbing to the reader. That is partly why the bizarro genre exists – to write of the extreme, even when it is mixed with technicolor dildos and social justice.

Also, summing up this book is going to be harder than any other bizarro book I have ever discussed but I started a regimen of Prednisone yesterday and feel up to the task: Felix, like everyone else on the planet in this dystopic tale, is overeducated and underemployed. And like most of the people in the world, he has trained to be a Stress Management Specialist. You see, everyone in Steele’s strange world is into animals – those who are into people are the perverts. Felix is an Equine Stress Management Specialist and in an attempt to prove himself as a superior ESMS he tries to jack off a horse except he gets more than he bargained for. He gets the Sacred Thor, an enormous horse johnson that turns different colors and changes size when it “levels” up. It levels up by fighting these sort of nuclear toaster things that have embedded themselves into people, mostly the unemployed who stand in lines for months to get a job. Oh, and getting a job is a fabulous thing in this world because even though the workers are subjected to multiple acts of forced sodomy each shift, customers committing suicide, and surveillance that requires dozens of supervisors per one employee, everyone wants to contribute to the greater good. Oh, and everyone gets sustenance via these places that emit nutritional grease people breathe throughout the day. Felix discovers the source of the toasters, as does a coterie of people also being led by rubber dongs and a strange battle ensued. I cannot reveal the ending but it is suitably dystopic and god, it sets up a sequel and I am secretly thrilled because I wonder how Steele would top himself and want to see that happen.

Despite my only somewhat tongue-in-cheek reaction to the content of this book, the fact remains that this book is steeped in very clever satire about the state of education and worker satisfaction as well the whole idea behind superheroes. Add to it text that is at times funny as hell, and that’s some good incentive to read through what I, as a person with two X-chromosomes, call the icky bits.

This? This was an icky bit. It freaked me out but I can also see how people of a certain mindset would find this deeply interesting. Me? It sent me to Google to search the term “horse sheath” because despite my advanced age and somewhat dissolute past, I am, in many ways, still innocent about the genital workings of horses. Anyway, here’s Felix showing his skills as an ESMS as a chorus of angels sing:

The horse spread its legs a little as the angels added guitars and electric bagpipes to their orchestra. Felix rubbed faster. The bagpipes and violins kept up with his pace. Light from the heaven strobed in time.

Something was different about this horse. For one, nothing has come out of its sheath. Usually, after just a few rubs, a penis would slip out and flop around, ready for Felix to perform various stress management maneuvers that could only be learned in college.

He rubbed harder. Still nothing. Felix had never had trouble finding a horse’s penis before. He felt something inside the sheath, but where was it? Perhaps it was stuck, or clogged from years of non-use? This horse needed help bad.

Okay, so this was uncomfortable. A little. Just wait. Felix observes a galaxy in the horse’s sheath and it goes on from there:

He slipped his arm elbow-deep into the sheath and felt around. There was the universe. He held it in the palm of his hand. He felt the meaning of life, but it was too depressing so he shook it from his mind and forgot about it.

[...]

His forearm emerged from the sheath. The angels rang bells and shouted in triumph and jubilation. Felix pulled out to his wrist. The angels performed Rock Concert Movement #75: Group Sex in the Mosh Pit. Felix pulled and pulled, and finally he fell backwards and landed on his rear, horse penis resting in his lap. It was a full two feet long and five inches across the flare.

It was green.

Felix blinked.

It was translucent, too.

Reached to the elbow… Pulled and pulled… :twitch:

But anyway, this is how Felix gets the Sacred Thor, a powerful weapon that a stallion in the clouds tells him he will know how to use as he spends time with it. The horse eventually explains, later in the book:

“Epic quests don’t involve the internet or TV! They involve sex toys and manly, hard-bodied, larger-than-life heroes defying physics, logic and insurmountable odds, spitting out quotable, highly marketable catchphrases all the while.”

Sad but true and acidly satirical. Pretty funny too.

So Felix takes the Sacred Thor, a life-sized horse dildo, and not knowing exactly what his purpose is, he tries to have sex with the Sacred Thor, which isn’t having it. After lubing it up, hilarity ensues and here is where I knew Steele was a clever writer because he followed up the tense manipulation of a horse sheath with this:

He tried applying lube directly to the Thor, but the Thor shook off all the lube and whacked Felix upside the head.

When he regained consciousness six hours later, he searched the net for advice. Nobody had ever heard of a life-sized horse toy, let alone one that needed to be tamed. Frustrated, Felix tried sucking on the dildo, but every time his lips went near it, the Thor smacked him across the face.

Yeah, I laughed and compared my fate to Felix’s as both of us had been forced to resort to the Internet within the first 11 pages of this book.

Then Felix, who cannot find full employment in the world of horse release, has to work at a store that kind of sounds like Target or Walmart. It is here that there is so much forced sodomy that I just wanted to cry. It’s a terrible place to work. He has many supervisors who give him conflicting tasks and rape him to show dominance. Customers commit suicide at such a rapid pace they begin to smell and no one cleans them out. Felix has the Thor with him at work and good thing too because he first encounters the flying toasters and he and the Thor defeat them.

But that scene, despite the fact that I refuse to quote from it is important because it both shows the dehumanization of workers in this society and how they have come to take rape as their due in order to have a job that doesn’t even pay, but it also explains Steele’s dedication, which I will quote:

This is for everyone who shopped the Christmas season of 2009.

I hate all of you.

Yeah, Steele worked retail, god help him. Maybe even still works it. I know nothing about the man but that dedication and the horrors Felix faces on the job mean I just know, man I know. And believe me, everyone who knew me Christmas season of 1995 when I managed a Nine West store in Lewisville, Texas, knows how close I came to terrible violence. Instead, I had a nervous breakdown. Good times.

Really, at this point I am just quoting passages that I found interesting or funny because unless I just basically reprint the book here I cannot do it justice. Just know there is an epic battle with animal dildos that all change color and get bigger as they “level up.” Ugh. Gaming references. But many of you lack my neurotic aversion to gaming so, you know, it may be okay for you. But this next passage shows even better the work dystopia in Steele’s world. Albert, a pedophile security guard, just wants to make a difference but he can’t. He can’t be a cop and as a security guard, he can really only sit and look at magazines as working makes his bosses suspicious.

Years ago, management sensed its guard might be taking extra breaks when no one was watching, so, to ensure its employees weren’t wasting company time, fourteen cameras were installed and aimed at the guard’s booth. But to do this without spending money on equipment, management moved all fourteen cameras from the factory and placed them around the booth.

In a way, Steele is sort of a combination between J.G. Ballard, Barbara Ehrenreich and that movie Zoo. A perverted dystopia where no one is happy but thinks they are, and forces spend all their time making sure no one spends an extra minute buying a soda at work.

And in places this book is seriously funny:

“What is this place?! Who are you?! Who do you work for?!”

The man gasped. “My name is Pat. This is my novelty toaster company, keeping the American kitchen quaint for nearly a quarter century.”

“Don’t mock me with mission statements! What’s going on here.”

And then there is forcible sodomy again. Again. AGAIN. Sigh…

But there is humor with the butt horror!

A woman, a little older than Felix, carrying something large. He squinted. It was a dildo shaped like a dolphin’s member, except bright pink and about five times longer than it should have been.

Felix studied hard in college. This will not be the first or last time he is able to discern from across a room the animal penis a dildo is based on.

There is a humorous scene with a girl named Martha, or “Tha” for short, and her room walls are screens that show her perpetual IMs and blog posts, as she swirls in a chair and answers messages and e-mails and responds to comments as they show up on her four walls. And don’t worry about how this fits into the book. It does and you should buy the book to find out. But anyway:

Tha heard a noise that did not come from the speakers. It was a loud thud, and it sounded uncompressed. She mentally wrote an emo online journal entry about the disturbing sound. Instantly she received 267 responses expressing sympathy and wishing her good luck making it through the troubling time.

[...]

Tha had the urge to write another emo journal entry, but nothing was happening. There was no music. No color. The world was gone. Should she sleep? Did she have to go to the bathroom? There was no way of knowing.

Yep. That was me in 2003. And Facebook wasn’t even a thing yet back then. The world is indeed a strange and horrible place at times and Steele cleverly comments on it whilst thrusting dildos around from scene to scene.

It was about page 61 when the insanity that I have been told is part of my charm was pinged. Let me give you a snippet of the conversation that begins on 60 and continues on to 62:

“You lie.”
“Why would I do that?”
“You tell me.”
“Well, I might lie to conceal my true intentions.”
“Naturally.”
“And I might lie to make myself more important than I really am.”
“I’d believe that.”
“I might also lie to hide the fact that I’m telling the truth.”
“Come again?”
“Since I’m not lying, I might tell a lie to satisfy you so we can move on.”
“Or to conceal your plan.”
“Who said I have a plan?”
“Everyone has a plan.”
“Not everyone.”
“Sure they do.”
“No, they don’t.”
“Of course they do.”
“Do I look like I have a plan.”
“Yes.”

This is the conversation of a man holding a horse dildo and a man holding a lion dildo. This is either fucking hilarious or deeply insane and, really, no reason it can’t be both.

So we have a society of people who are highly trained to sexually service animals and the market is glutted, where there are no decent jobs and those that are decent require sodomy and seldom pay wages, there are a bunch of people running amok with animal dildos in a place where people eat by breathing grease and there are exploding toasters put into people by a madman whom the spirits behind the dildos want defeated. Got it? This is a seriously deranged, insane, clever, nasty, twitchy, funny book. Like all its bizarro brethren it has too many typos for my tastes but Steele is a man who, like Baker, needs to write a second book. Steele, his use of two of my bugbears aside, is clever, funny and demented. So I say buy this book. I warned you but I also think you should buy it. I read it and I’m just fine. Sort of. Mr. Oddbooks says he wants the statement “Felix had never had trouble finding a horse’s penis before” printed on a t-shirt and I may arrange that for him, so really, this was a win-win situation.

And don’t forget, you should try to win the free copy of this book I am giving away. Leave me a comment here today, 2/17/11 before 9:00 pm, CST and I’ll enter your name into a drawing. It has been asked how I determine the winner. It is literally a drawing. I read the names from all the comments to Mr. Oddbooks, who writes them on slips of paper and folds the pieces of paper up into little squares. He puts the squares into a Tupperware dish, puts the cover on and shakes it all up for a minute. He brings the little dish to me and I close my eyes and pull out a square. I’m sure there is some sort of computer program that could randomize it better but I like this hands-on approach.

Book: Love in the Time of Dinosaurs

Author: Kirsten Alene

Type of Book: Fiction, bizarro, novella

Why Do I Consider This Book Odd: Bizarro, fish, barrel

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: Ahh… Hump day for Bizarro Week. Before I discuss the book, let’s get the business out of the way. I am giving away a copy of this book and all you have to do to enter the drawing for the book is leave me a comment on this entry. The contest runs through 9:00 pm CST today, 2/16/11. Just comment and I’ll put your name in the drawing to win a copy of this book. Easy as using a keyboard to type a name.

Now for the book discussion. Before I say anything about Love in the Time of Dinosaurs, I have no idea if the title is a play on Love in the Time of Cholera or if the book in any way mirrors what I can only assume is a literary masterpiece. I can only assume because I’ve tried before several times to read Gabriel Garcia Marquez and just couldn’t do it. I hate to admit that I may, in fact, lack a certain gravitas where my literary tastes are concerned but hey, I’m a grad school dropout. So, I may be missing out on an excellent chance to compare a bizarro text to a traditional literary text but I’m not gonna rush out and read Marquez any time soon just to make sure. This will not be the first time my intellectual laziness works against me so instead I’ll just play to my strengths.

Love in the Time of the Dinosaurs mines familiar veins. A soldier in a terrible war falls in love with a woman across enemy lines. A man falls in love with a woman from another culture and the couple faces incredible odds. And there is always some sort of commonality in tales of warfare. But within these familiar tropes, Alene lets loose with some incredible scenes of carnage set in a genuinely bizarro world wholly unlike our own, which only stands to reason because unless one subscribes to really fundamentalist beliefs about dinosaurs as antediluvian animals that died when it rained for 40 days and 40 nights, dinosaurs and humans generally only occupy the same turf in Sid and Marty Krofft productions.

The bare bones of the plot, without excessive spoilerage, are as follows: A monk, whose name we never learn, is also a soldier in a war against the dinosaurs. The dinosaurs, whom the monks refer to as Jeremy, came as a sort of plague when a mystical creature went into hiding. These creatures, called the Steve by the head monk, are of varied descriptions, among them fish-headed, winged cats and rhinos with rat heads. The Steve had many secrets and taught the head monk Zohar but when the dinosaurs came, the Steve left. And then the war with the dinosaurs began, with the monks acting as soldiers, trying to keep their walled-in monastery safe from the rampaging dinosaurs, who work together as a tactical army to defeat the monks. Alene’s unnamed monk manages to stay alive long enough to meet Petunia, a new breed of dinosaur, and he falls in love with her. Once his fellow monks clue into the purpose behind his solo visits into the forest, they threaten the love that has come to sustain the monk. Can the monk and Petunia survive the warfare around them? Will they be forced to choose sides? Not gonna tell you, of course.

God, I beat the same two drums where bizarro is concerned. I bitch endlessly about the editing, and that was not a real problem with this book. But I also bitch about the brevity and in this case, I really think this book needed to be about three times as long. At least. Alene created a richly textured other-world, with strange monks with odd traditions. She created an entire, organized dinosaur culture that splinters off into factions. In her world, strange magic taught from the Steve permits men with their bodies blown off from the center of their sternums to live, with a single leg transplanted where their lower viscera and limbs used to be. This is one of the longer books in the New Bizarro Authors Series but man, I needed more. I needed more scenes with the monk and Petunia. I needed more interactions between the monk and the other monks. I needed more scenes within the monastery. Alene is a fine writer and I wished I could have read the complexities of the relationships between the monks and between the monk and Petunia because I sense in her hands, this alternate universe would have rivaled the worlds created by accomplished fantasy and science fiction writers. What was excellent characterization could have been far richer with more length.

And the characterization, even in minor characters, was excellent. The unnamed monk telegraphs early on that he is not of a hivemind with the other humans. Saving his fellow monk Oomka, the monk catches a ride on the back of a pterodactyl and the ride is killing the creature:

Wet tears stream from the eyes of the pterodactyl. I feel an unwelcome surge of compassion and pity, and draw the ray gun back from its temple. Its body quakes feebly as its torn wing flaps at double speed under the extra weight of Oomka and me.
[...]
Our bodies shoot through the air toward the treetops. This is the end. The Jeremy is dead, or will be in a few seconds when it hits the ground. I feel a surge of pity and compassion for the animal and try to shake this strange feeling from my head, not wanting to die mourning the fate of my enemy.

The monk does not die, but that what he thinks may be his final thoughts are compassion for the creature he killed in his quest to save his own life illuminates a lot about the monk and it would have been nice had Alene more space to develop these matters of character. The small amount of space made some of it feel rushed.

The romance between the monk and Petunia also suffers from being compressed, if only because Alene presents a compelling tableau: a monk sick of war, dreaming of comfort with his new love, dreaming of a life he can, in fact, only dream about because reality will not permit it. During a scene where the monk loses an arm and almost his life, in the place between life and death he thinks of Petunia:

I feel a tug on my arm and look down to see Petunia reaching up into the sky. Her hand is wrapped around mine. She is pulling me down. I am in her arms. I feel as if a bluish-gray cloud has encased me.

Petunia is very old as well. She is stooped, her soft leathery skin wrinkled and pockmarked. She smiles warmly at me. Her face is familiar and comforting. I am in her arms, and she walks with me toward a house in the tree rocks. Above us, the fireflies are beginning to descend, one by one, until they fall in a torrent, a deluge of fireflies. They swirl through the air as I push the door open in front of Petunia. We enter our house.

So do the fireflies.

If you read this book and this scene does not make you feel like you sort of want to tear up, all I can say is fuck you because such deceptively simple writing affected me. I know, I know, he’s a monk in an alternate universe and she’s a dinosaur. But he’s dreaming of growing old with his beloved and living in a house with her where fireflies come and go. This is on page 46. Think of what Alene could have done had this book been far longer.

One thing Alene does not skimp on is violence. Horrifying scenes of blood, gore, and unseemly inhuman recreations of body parts should be at stark contrast with scenes of monk and dinosaur growing old together with fireflies but they aren’t. Alene’s simple, spare style lends itself will to both sentimentality and extreme violence and gore. The monk and Oomka are in a tree on watch and battling raptors:

I yell and swing my ray gun around, but it is too late. The monster has withdrawn into the leaves, taking the bottom half of Oomka with it. The top half of Oomka looks at me, his yellow eyes bulging as fluid and blood pour from the remaining half of his torso. Two exposed ribs dangle below a line of jagged flesh. Organs spill out over the tree limb, coating the branches beneath in vivid red. He coughs, and a mouthful of blood trickles down his chin, staining the front of his orange robes.

Never fear, however, because losing the bottom two thirds of his body does not spell the end for Oomka. That scene I quote above where he and the monk are on the back of a pterodactyl and they fear they will die along with the Jeremy when they hit the ground? As they fall, Oomka saves the day in a nasty but inventive manner:

Oomka turns himself around so that his back is against my chest, and he rips open his ribcage. His hollow body cavity acts as a parachute, slowing our speed dramatically. We coast toward the trees and drop slowly through the canopy, unharmed.

Much more blood is shed in this book. If you like bloody battles in a surreal setting, guerrilla warfare with dinosaurs, Alene has got you covered.

I will tell you with brutal honesty that part of the reason I loved this book is because Alene’s style reminds me of my own, back in the days when I tried to write. She has a spare, concise manner of word usage that conveys a lot of imagery without straying into being overly descriptive. I had to fill in a lot of mental blanks as to what things looked like and I prefer my fiction that way. She gives what is needed to get her idea across and nothing more, and that she conveys such vivid ideas with such sparse word usage speaks of a wonderful talent. I want you to buy this book so we have a chance of seeing what happens when Alene is not confined to a novella length work. I suspect, if given the chance, she could be a very strong bizarro voice. I very much recommend this bloody, violent, sweet novella. It’s got love. It’s got carnage. It’s got dinosaurs with guns.

And just to remind you, you can win a free copy. Leave me a comment on this entry today, 2/16/11, before 9:00 pm CST and I will enter you in a drawing to win a copy of this book.

Book: Muscle Memory

Author: Steve Lowe

Type of Book: Fiction, bizarro, novella

Why Do I Consider This Book Odd: At the risk of sounding repetitive, it’s bizarro and bizarro is always odd.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments:We begin day two of Bizarro Week with a reminder that each day I am giving away a copy of the book I discuss. All you have to do to enter the drawing for the free book is to leave me a comment. It’s that easy. You have until 9:00 pm CST today, 2/15/11, to leave me a comment, and that comment will put your name in the drawing. Giving away free books is how I show my gratitude to my readers (and it also drums up attention for my site – let us not think I am not without ulterior motives) so comment!

Muscle Memory is a clever, sad little book that employs one of the most cliched plot lines ever: a person wakes up in a body not their own. We’ve seen this at play in so many craptacular movies, mostly aimed at teens, like Freaky Friday and Vice Versa. But Steve Lowe’s use of this trope is decidedly different and if there is any cliche in it, it is the sort of triteness that contrasts well with the strange plot, small town humor and melancholy sadness that made reading this book a pleasure.

The plot is, like a lot of bizarro, deceptively simple: A man wakens in his wife’s body and realizes his entire town has switched bodies with the person or animal they were closest to when the switch happened. Husbands and wives wake up in each other’s bodies, a suspected sheep-shagger is in the body of a ewe, the dog is meowing and the cat is barking. Hijinks should ensue and they sort of do, in the sort of small town quirkiness one sees in Chuck Klosterman’s novels. But the ramifications of body-switching in Lowe’s novel transcends the zany and heartwarming things that happened to LiLo and Jamie Lee Curtis as they discover how hard the other has it in this world and their love and respect for each other deepen, etc. No, though Lowe uses humor liberally through the book, like the appearance of Terry Bradshaw in a dream and the recurring jokes about bestiality, this book takes a far more penetrating look at the human condition.

You see, Billy is married to Tina and they have an infant son, Rico. Billy wakes up in Tina’s body but she does not wake up in his. Billy’s body never wakes up at all because the night before the switch happened, Tina, in the throes of post-partum depression, poisoned Billy with antifreeze. So while Billy has to learn to navigate in his wife’s body, as he and his neighbors try to figure out what happened, as the government comes to investigate, Billy has to come to terms with not only the fact that his wife murdered him, but also the very real possibility that if things return to normal, he will return to a dead body. No matter what happens, his life will never go back to normal. No matter what, Billy’s physical body is buried in Tucker’s barn, as he and his friends try cover up Tina’s crime from the authorities. There will be no happy moment wherein he and his wife embrace, each aware of what it really means to walk in the other’s shoes. His marriage is over any way you cut it and he may soon be dead himself if normalcy is restored.

Lowe mimics a small-town style of speech that is not wholly familiar to me but reads well, and that sort of vernacular does two things. First, it gives wide latitude for broad humor and second, it applies itself well showing that deep existential experiences are not the sole purview of more high-minded literary characters. It is a language that permits humor and realization that in amongst the folksy language and the “aren’t small towns cute?” sort of mindset reading such dialogue creates, there is great human depth as well. Because even as these people burst into singing Olivia Newton John songs in bars, they are dealing with some deep problems. Like Billy’s startling realization that he had no idea what his wife felt, that she had been in state of psychological despair and he had not noticed.

Lowe shows Billy’s casual cluelessness very cleverly. Billy surely had witnessed his wife Tina nurse their son before but when he awakens in her night gown, inside her body, tasked with nursing Rico, he has no idea how to arrange the nightgown so that he can feed the baby. Luckily, his neighbors, Julia and Tucker, are there, and Julia, though she is in Tucker’s body, explains that there is a flap in the nightgown that makes nursing much easier. This is handled with a small amount of slapstick, as Julia has to show Billy how to use the gown, using Tucker’s oversized hands. But the scene, along with Billy’s admission that he would feign sleep so Tina would always be the one to get up with their son, shows a man who is completely apart from his evidently emotionally fragile wife.

But Lowe’s use of broad humor and silly details keeps this from being a completely dark experience. The whole novella is peppered with the ridiculous. For example, the cat has just barked at Tucker (in Julia’s body):

“Whoa.”

“Yeah, no shit, whoa.”

“So this is like one of them Twilight Zone things, right? Or maybe it’s more like Dark Matters or something.”

“Tales From the Dark Side.”

“Yeah, that was the black and white one with the dude in the suit who kinda talked like Captain Kirk before Captain Kirk was on.”

“No, that was Twilight Zone. That was Rod Serling. Tales From the Dark Side came after.”

“Oh. Yeah.”

Yeah, this is a perfect encapsulation of how terrible situations breed the most banal conversations.

When their neighbor appears in the form of a sheep, it’s another moment of hilarity but also indicative of how rumors spread quickly in small towns. Tucker is speaking to Billy:

“… Wait, did you see Edgar?”

“Jesus, yeah, I saw him.”

“Dude, I told you about that like six months ago. Didn’t I? Didn’t I tell you he was doing that with his livestock?”

“Yeah, so you were right. I owe you a case. But to get back to the important point here…”

And oh yeah, Edgar’s full name is Edgar Winter. Ha!

Billy and Tucker go to the local watering hole to see if they can get any information about what has happened. Theories float around about aliens and the government testing secret gas. Townspeople having secret affairs reveal their trysts when they show up in the bodies of their lovers with ensuing slapstick. The men sit around drinking and razzing Edgar about being a sheep-shagger. Then, when the men in the bodies of their wives and womenfolk and barn animals are well soused, the jukebox comes on with “Unchained Melody” (or at least I think that is what the song was):

The lyrics hit my brain like a sledgehammer. Something catches my throat and pricks at the edges of my eyes. I hear Tucker next to me sniffle, and I can see his lips moving. Despite myself, I start mumbling along, too. Didn’t even realize I knew this song until the words start falling outta my head.

Tucker looks at me and sings, “Are youuuuu…still miiiiiiiiiiiine?”

Floyd spins on his barstool to face us. “IIIIIIIIIIII need your loooooove.”

Joe Vickers flips his wife’s cheap blond hair back and yells the same up at the ceiling.

But even as this novel fairly drips with the ridiculous, and the most ridiculous scene being the dream sequence with Terry Bradshaw, this is silliness with a heart, a sad core of loss. Billy, Tucker and Julia move Tina to the barn to bury her and Billy, in his wife’s body, tries to find an appropriate outfit to wear to his wife’s funeral. In Tina’s body, he looks in her closet and picks out a dress he bought for her, a dress that had offended her, that proved how out of it Billy really was, and he had no idea why. It becomes clear to him when he puts on the dress.

So I put the dress on. Takes me five minutes to realize the stupid thing only has one shoulder strap. The other shoulder is bare. And it’s long in the back, but has a really short front that comes up to a slit.

And I can see my underwear.

It’s not until Billy is literally in Tina’s body that he understands how much he really failed her. Buying her inappropriate clothing, taking her for granted, not knowing the most basic things about her day, being so spaced out that she was able to put antifreeze in his beer and he didn’t even notice.

Billy realizes all of this in a sudden rush, after Terry Bradshaw comes to him in a dream and tells him that the government will switch everyone back soon, and the implications of this are not discussed explicitly, but the implied idea is that Billy will return to his dead body buried in the barn. But since Tina’s essence, her soul or consciousness or whatever it is that defines identity was in Billy when he died, there is no guarantee her essence will be able to return to her body. This is not Freaky Friday. This is the destruction of a family.

I ain’t in the dream no more. I’m back. I’m in that other dream again, the one where I’m Tina and Tina’s me. And I’m dead and buried and covered by a rusting hunk of junk in my neighbor’s barn and I’m a depressed mother who’s now a widow and a widower at the same time. I feel like I’ve lost a wife and a husband, ’cause when you get right down to it, that’s what happened.

I have two quarrels with this book. One, like many bizarro endeavors, it could have been edited a little better, but the problems are small, so really, maybe that isn’t a quarrel. My other issue with this book is the relative brevity. This discussion should make it clear that Lowe managed to create a complex novella but the actual text of the book covers less than 60 pages. The New Bizarro Author Series gives unproven writers a foot in the door – if they sell enough books from their first effort, they will have a chance to produce more books with Eraserhead. If they don’t make their sales goal, their first effort will be their last. It may put Lowe at a disadvantage that his novella is so short because one of the complaints I hear most often about the bizarro genre is that the books are costly given the amount of content. For a bibliomaniac like me that seldom is an issue (and now that I have a Kindle it matters even less) but I hope Lowe does not have too many problems selling this short book.

But here’s an incentive for people who may be on the fence about spending close to ten bucks on a book this slim: In the month of February, Steve Lowe is donating all of the profit he makes selling this book to a foster care charity. Click here to read all the details. So if you are on the fence about buying a copy, let this charitable endeavor tilt the scale in favor of purchasing it.

And again, I am giving away a copy of this book. All you have to do to enter to win a copy is leave me a comment on this entry. Contest runs today, 2/15/11 until 9:00 pm CST. Comment early, comment often!

Book: Uncle Sam’s Carnival of Copulating Inanimals

Author: Kirk Jones

Type of Book: Fiction, bizarro, novella

Why Do I Consider This Book Odd: Bizarro is always odd. Always.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: And a new Bizarro Week begins!

This Bizarro Week is going to focus on books from the New Bizarro Author Series. Eraserhead Press takes a chance on new writers, allowing them to put out a book and if they sell enough copies, they get to publish more books. If they don’t sell enough, the first book with Eraserhead will be their last. Sort of draconian in a way but in a world where the number of publishing venues seem to grow smaller every day, a foot in the door is no small thing. So I plan to focus on the NBAS this week.

And best of all, I plan to give out a free copy of every book I review this week. In order to enter to win a copy of Uncle Sam’s Carnival of Copulating Inanimals, all you have to do is leave a comment to this entry before 9:00 pm CST. I’ll announce a winner shortly after. Anyone anywhere can enter because I take perverse pleasure in mailing strange books to the hinterlands. So hop to it.

Now to the book discussion.

I am beginning this Bizarro Week with Kirk Jones’ book because I am finally able to do one of those “It’s X mixed with Y if Z was really a school bus on Mars” sort of statement. I can really never come up with those because to me they are always such a horrible stretch and I am pedantic in so many pointless ways, but this time, as I was trying to explain this book to Mr. Oddbooks, I came up with the perfect summation:

If you put Charles Dickens’ tendency to heap ignominy and ill-use on his young heroes, Horatio Alger’s optimism for the merits of work and a job well done, a progressive eye for worker rebellion, a chat room of forniphiliacs, and the entirety of Tod Browning’s Freaks in a fast moving caravan and crashed it into an IKEA store, this book would be the result. Truly, this will be high concept. (In the interest of full disclosure, this book doesn’t technically portray forniphilia but that’s as close a phrase as my rudimentary research into sex with furniture revealed. I don’t think there is an exact word for this but if you read the book, I suspect my label will be clear.)

This book really did take some pretty disparate elements and blend then into a relatively smooth book. The plot, as is typical with most bizarro, is quite insane. Gary has led a life of woe. He lost an arm working as a wee boy, only to lose his parents later in a terrible car crash. He also loses a leg and finds himself a beggar. A chance question to a fellow two-limbed man, asking about a potential job, led him to yet another accident in which he is turned into an enormous blob of self-contained vitreous humor. Things happen, as they do, and he becomes a trainer for furniture – animated furniture. Traveling in a carny-style show, a HAARP device keeps the carnival just ahead of the terrible weather that seems to stalk the carnival, and Gary finds he has something of a skill for dealing with the animated furniture. Oh, and the furniture has sex with each other on command and those who watch the performances vomit to show their appreciation, as you do. Gary meets the blind niece of Uncle Sam, a girl called Liberty, and they fall in love but their love is threatened by Uncle Sam’s nefarious activities. The ending is suitably cathartic, restoring order and ending this book of strange combination in a dreamy manner that should not have worked but did.

How does the furniture become animated? Well, that’s a mystery I can’t share or it would spoil the whole book for you but it’s suitably creepy and unsettling. Uncle Sam’s methods of maintaining his carnival are harsh and cruel and endanger everyone around him, even his loved ones.

As I said in my description of the words, ideas and style Jones uses, this book takes some very disparate elements and combines them into a narrative that feels similar to other things but is wholly new. The beginning had a very Dickensian feeling to me. This is the first line of the book:

Those who cared to peruse the historical records of Gary Olstrom, now known as the man made of tears, might observe that an extended streak of bad luck began for him, ironically, with a stroke of good luck at age eight…

Gary is near a mirror when it shatters and severs his arm and his boss quickly informs him that not only does he not have any insurance or means to go to the hospital, but he also will not receive his first paycheck as he will have his pay docked to cover the cost of the mirror. Very bleak to the point of wondering if there was gaslight. It goes on from there as Gary loses his parents:

While the news of their fiery crash distressed him initially, he recovered a few days later when he discovered that their departure from this world was preceded by their visit to the orphanage for disabled children, where Gary was shipped the next day.

It just gets worse in an Oliver Twist, workhouse for the poor sort of way. The orphanage sends Gary to work in a textile factory at age 12:

But upon re-spooling one of the nylon machines, Gary lost his footing, and, as a result, his right leg. Like many before him, his claim for compensation was denied, his employment terminated, and he was held fully responsible for cleaning his remnants.

But in among this modern slant on Dickens, there is a small amount of Horatio Alger and maybe a hint of Samuel Smiles, as well, for Gary never hates the shop owner who exploited him as a child and in fact considers his tight money management skills something to aspire to in his quest to prove himself. As a supervisor of other children at the textile factory, he is careful to deny all insurance claims made by his maimed peers. Even after he loses an eye, Gary is still quite certain that he will fight his way out of the gutter and continually looks for productive work. He danced for change, stole a cane from a blind man, and even when discouraged, managed to embrace the system that had deformed him, feeling, like the heroes in Alger’s tales, that hard work and determination will get him off the streets.

One day, he observes a man missing an arm and a leg and, his ambition still intact, asks for advice:

“Sir, by what means do you sustain yourself?”

“I’m employed by Uncle Sam, at the furniture factory,” the man replied.

“Would it be possible for me to acquire a job with him as well,” Gary asked.

The man looked doubtful. “Come with me tomorrow and we shall see,” he said, explaining, “I was in full health when I began working for him, and have been allowed to stay in due to seniority. Otherwise, I’d likely be accompanying you in the gutter. But I might be able to get you in. Meet me in front of the factory tomorrow.”

And Gary spurs himself into action, stealing a razor and tarting himself up as best he can, still too willing to become a cog in a machine that had already cost another man his arm and leg, only too happy to be similarly employed. But in another terrible turn of luck, his contact is crushed by a bus outside the factory and in another Dickensian detail, Gary steals his coat and gets mistaken for him as he enters the factory. Uncle Sam puts him to work, a disaster renders him made of tears and he hits the road with the carnival.

On the road, he learns to manage the furniture, encouraging couches to have sex with each other under the big tent, to the vomiting approval of the perverts who come to see the display. But as he interacts with the others in the furniture freak show, he begins to understand something is wrong, traveling to different cities in a wagon carnival caravan, leaving trails of murders in its wake. By the time he narrows in on the problem, his lovely Liberty is in peril and he faces with no small horror the terrible abuse the sentient furniture is experiencing.

But Gary, despite the brevity of this book, has a definite character arc. He reaches a point where he is no longer willing to be a company man and begins to question things, made angry by the ill-treatment of the furniture and concerned about the strange conspiracy around him. When he finally understands what is happening, he and the furniture storm Uncle Sam’s convoy, and Jones uses language that made me think of an epistolary version of the scene in the Frankenstein movie where the villagers storm Dr. Frankenstein’s castle, and I began humming La Marseillaise:

From the tent, a billowing cloud of shadows erupted, spreading across the landscape towards Gary and his inanimals. With them they carried weapons of graphite and shields of parchment, so they might rewrite history, revitalize movements and substantiate self-oppression.

This sentence is also a good example of some of the damn fine writing Jones executes in this book. Despite, or maybe because of the bizarre premise, he manages language in a manner that is quite lovely, creating beautiful scenes without venturing into baroque over-description.

All in all, this was a fabulous novella. Of course, I have no idea what Jones’ influences were – though increasingly I have some contact with bizarro writers in other venues, I still try my best to remain in my own little headspace wherein I know little about the authors whose work I critique. But the fact remains that this novella for me evoked Dickens, Alger, and Browning while utilizing elements of an interesting sexual fetish and ideas of labor revolutions. A nice little love story in a dreadful alternate universe not wholly different from our own but still different enough wherein the media is literally made of shadows and HAARP devices are portable. There were some small editing problems but compared to a lot of bizarro books, they hardly bear mentioning.

I hope Jones manages to sell plenty of copies because I think he’s got a unique voice, and that may sound spurious since I think his voice reminds me of so many other voices and ideas, but the only conclusion that leads me to is that Jones is likely an indiscriminate reader and consumer of various media. You read and watch enough, your voice becomes full of the best of what affects you. This was an excellent, strange, well-written, inventive book and I definitely recommend it.

If you’d like a copy for yourself, be sure to enter the drawing for a free copy. Just leave me a comment to this discussion and you’re entered. The contest ends today, 2/14/11, at 9:00 pm CST.

Book: Apocalypse Waiting to Happen: The Plagues That Threaten Us All

Author: Dr. John Coleman

Type of Book: Non-fiction, conspiracy theory, disease

Why Do I Consider This Book Odd: Well, I bought it at the marvelous Austin book store, Brave New Books. That’s a good clue as to potential oddness. The content cinched the deal.

Availability: Published by World in Review Books in 2009, you can get a copy here:

Comments: Take this statement for what it’s worth but it took me forever to write this discussion because I came down with a case of the flu that will not go away. If I were paranoid, I would be very concerned.

Man, I am definitely going to have a good time examining this book in close detail because it combines all the best things I have come to love in lunatic screeds predicting the end of the world, but before I begin, I have to say that books like this make me long for the days of ‘zines. Really, this book is a long form ‘zine, or maybe a very long newsletter. This book should have been written on an electric typewriter, single spaced, no margins, hand-written corrections in the margin and mailed to everyone who signed up for it. This book took me back to those days long past, wherein the only way one could get a hold of a strangely-spelled, interestingly-reasoned screed was to wait impatiently by the mail box.

If you are of the right mind, this book will amuse you to no end. Because when you pick up a book that is ostensibly discussing the diseases that could mark the end of the world, and the disease “Guillain Barre” is spelled “Guillane Barre” on the cover and in the table of contents you find a chapter called, “The Terrible Toll of NRSA,” you know you are in for one hell of a time.

There are moments of complete coherence wherein you think, “Hey, Dr. Coleman may be on to something, though he seems like he may be overstating it.” Then there are moments of utter lunacy wherein you think, “What sort of doctor is this guy anyway?” I still have not been able to determine what his doctorate is in, or if he is an MD, but the little bit of research I did showed me that Dr. John Coleman is a man who should have already been on my radar because he is a conspiracy theory Renaissance Man. Sometimes I am disappointed in myself but I comfort myself with the knowledge that my new Kindle and I will rectify my Coleman deficiency as soon as possible.

So, in just the cover and the table of contents, I already know this book’s content is going to be a bit iffy and my suspicions are played out in the text. This book is ostensibly a treatise on the diseases that could potentially end mankind as we know it, and it takes all kinds of very interesting turns while offering some information that turned out to be more or less factually correct when I looked into it and some that is simply the stuff of conspiratorial dreams (and that is a statement anyone should take advisedly because though I am deeply interested in illness as a topic, I am a liberal arts sort of gal, not a scientist).

It’s hard to buy into the alarmist nature of the book but all conspiracies are alarmist and I wouldn’t have it any other way, but I knew I was in for a ride when I read this (and from here on out, just know I am not going to enter the traditional [sic] when there is a grammar, spelling or structural problem in Dr. Coleman’s text because it would become tiresome):

The cardinal sin being committed against God and man by the spiritually wicked men in high places is the destruction of mankind through so-called “natural means.”

Okay, so I now know Dr. John Coleman is going to look at this via a Christian filter of the Apocalypse, which is just fine with me because as an atheist I don’t have any dog in that fight but it also means I will be able to dismiss some of what he considers proof. We also know that we might venture into the idea that some of these diseases threatening us are not natural in origin. Hoo boy, I am very excited now. You should be, too.

Despite the fact that I know that very excellent conspiracy awaits me, I have to say the hands-down best parts of this book are all the left turns that come out of nowhere. The sort of shifts in content that make you shake your head and wonder if you missed a page or something, and realize no, it’s not you. The quote I give above is at the top of page 2. Dr. Coleman then spends three paragraphs discussing disease and how it is that the death toll of disease far outweighs casualties of war plus some fear of Socialist government, which was sort of a “What?” but still mildly topical in context, then :RECORD SCRATCH:

This book is not about politics per se, so I will confine my remarks to posing the question that so badly needs to be asked: What in God’s name are our soldiers doing in Iraq and Afghanistan?

No matter how tragic the Columbine School and the Virginia Tech massacres of April 20, 1999 and April 16, 2007, they cannot be viewed as anything other than sad and terrible occurrences. What is so savage about it all is that the victims were not allowed by law, to defend themselves.

Okay, so we now know this is going to be a roller coaster of weirdness. We now have a pretty good window into Dr. Coleman’s mind: the government is going to kill us with disease, governmental action that Dr. Coleman does not like will be called Socialist and he is pro-gun to the extent that he thinks high school freshmen should carry them to school. And if it sounds like I am mocking Dr. Coleman, maybe I am a little, but mostly I have mild affection for people with mindsets complete different than mine because without them this website would be basically a shill for Eraserhead Press. And, it has to be said, I have been known to harbor one or two wacky ideas myself…

Of particular interest to me was Dr. Coleman’s take on the Clinton presidency refusing to destroy all of the smallpox samples housed with the CDC:

In 1996 the World Health Organization demanded that all existing stocks of smallpox viruses be destroyed. At first the United States was vociferous in its demands, that all nations possessing stocks of the virus join the U.S. in destroying such stocks. All of a sudden, having gotten a taste of what it is like to be mass killers in Serbia and Iraq, the governments of Britain and the United States did a 180 degree turn. “We are not going to carry out our previous decision” (to destroy the smallpox hoard), said Clinton “just in case the U.S. may need them in the future.” This startling announcement came on April 22, 1999. Mark the date well. Future historians will trace the start of the coming apocalypse to this date.

Having read enough Richard Preston to ensure I lost sleep, I have a different take on the U.S. refusal to destroy their smallpox stocks. You see, disease is a form of mutually assured destruction and nations talk a big game about getting rid of disease stocks and nukes but such stores are preventative measure to keep other countries from using disease as a form of warfare because they know we could just return the favor. Moreover, in the event a country launches a dirty bomb against us and we don’t have samples of the disease to make a vaccine, we are sitting ducks. Unpleasant, but true. Stocks of nukes and stocks of disease make for better diplomacy in a world wherein seats of political power are occupied by egoists and madmen. Interestingly, before declaring Clinton the worst sort of bastard for reneging on the U.S. promise to destroy smallpox stocks, Coleman, who has already shown little use for dictatorships and Socialism in general, declares:

When apprised of Clinton’s decision not to destroy our stash of deadly smallpox viruses, Mikhail Shurgalis, Russia’s spokesman on the treaty, denied his country has any stocks of smallpox. Iran and China also deny holding any Biological Warfare stocks.

Okay, I don’t think Dr. Coleman is twisting facts and ideas to suit his particular hobbyhorse. I think riding his hobbyhorse gives him a strange myopia. Does he really trust Iraq, Russia or China’s word on whether or not they destroyed their smallpox stores? And say Clinton had believed them and sometime in our lifetime we found out those nations in fact had their smallpox stores and we had destroyed our disease deterrent as well as the means to make a vaccine? Policy in such matters is cloak and dagger to be sure but not nearly as straightforward as Dr. Coleman seems to think. “Oh, China and Russia say they no longer have smallpox viruses? That’s good enough for us. Those countries have never given us cause to doubt them before,” seems to be the reasoning where disease stockpiles are concerned. Would such a naive approach work in nuclear disarmament? Probably not.

The overall structure of Dr. Coleman’s book makes some level of sense and as a rule, I can see where he is coming from as this sort of conspiracy is nothing new – the government wants us sick and covers it up, the government accidentally makes us sick and covers it up. Many people exhibit this manner of thinking, notably Jenny McCarthy, and it was therefore not that surprising to see it in action here.

Autism in children may be the result of vaccinations. British doctor, Stephen Walker, was the first to discover a possible link between child vaccinations and autism on June 3, 2006. This has led to speculation among medical researchers that there must be a common factor somewhere, but discovery of what that factor is, remains beyond reach. Are we being used as human guinea pigs?

Well, we might be, but not via vaccinations. Stephen Walker has come out and admitted he cannot prove a link between the MMR vaccine and autism and as of right now there is not a single link between vaccinations and autism.

But Dr. Coleman is all too willing to go that extra step in the course of his paranoia despite the fact that one of his own sources has backed down from his initial findings:

We know now vaccines injected into children weaken their immune system and leave them vulnerable to other diseases. Could it be that the grand design is to make children vulnerable to infectious plagues, which will then sweep millions of people to their deaths in far greater numbers than the Black Plague of the 14th Century? After all, didn’t Bertrand Russell say that there had to be a return of the Black Plague. Vaccinations have become the chic way of allegedly warding off terrible diseases, but what we are learning through research into such illnesses as chronic fatigue syndrome is that the more prevalent the inoculations programs are, the more there is a growing incidence of strange and exotic diseases, which hitherto, were unknown or only occurred in limited numbers.

It’s actually extremely questionable that vaccines weaken a child’s immune system when the end result is that children with these vaccinations do not develop mumps, measles, German measles, whooping cough and all the myriad childhood diseases that made children die left and right. And if you don’t get Dr. Coleman’s riff about Bertrand Russell and why his musings on the Black Plague are de facto evidence of anything sinister in the government to sicken people, it’s discussed in the book and evidently in some of his other books and I will touch on it more in a bit. But yeah, it’s conspiri-tastic. And bless Dr. Coleman for associating vaccines with the word “chic.” When I get my next flu shot I better get a Chanel bandaid. I also dispute the idea that CFS is new or burgeoning as it is a disease that most commonly afflicts women and the annals of medical history are crammed with depictions of sickly, easily tired, wasting, neurasthenic women. CFS has been around for a long time but like most auto-immune illnesses, there is still very little known about it.

But don’t get me wrong. I love conspiracy theory but I have no issue discussing where it falls short and can be dangerous. Hell, the conspiracy about vaccines has led some to believe that Jenny McCarthy’s anti-vaccine advocacy has a body count. So while I am largely amused by Dr. Coleman and quite interested in reading more of his books, the fact is, he sort of doesn’t mind mixing it up in a way that makes it hard to swallow even the passages where he gets things right. The government is at fault, Bertrand Russell is somehow behind it, and that’s all well and good because heaven knows Russell could stand to be taken down a peg or two posthumously. But given all the conspiratorial bends this book takes, the following was… shocking… and upsetting to a liberal gal like me:

The incidence of all strains of hepatitis, A-G, is very heavy in Central and Latin America and India, and immigrants from these areas are not screened when they are arrive in the U.S., so that there is a vast pool of infection — a veritable reservoir of hepatitis in our midst. In California the situation has become so serious as to border on panic as more and more people are discovering that they are infected with hepatitis C. Yet, in spite of the terrible dander, concerned citizens who demand medical screening for immigrants are called “racists.”

Terrible dander, eh? One would think a panic about an infectious disease that reduces lifespan would be more than a dander but maybe I shouldn’t nitpick that. Instead let me nitpick facts. In the United States, the vast majority of people who currently have Hepatitis C contracted the disease before blood was tested for the diseases as a matter of course in refined tests to find the disease, which was developed in 1990. Since accurate screening began, the number of people who contract Hepatitis C has fallen dramatically. In the current climate, the top causes for Hepatitis C transmission are via risky sexual and drug usage behaviors. Because Hepatitis C is blood-borne, there is some risk from food-handlers, and to be blunt, no one really knows all the potential methods of transmission but blood seems to be the most reasonable risk.

But as a whole, it is, in fact, racist to say that people from Central and Latin America and India who have Hepatitis C are more likely to become drug abusers and engage in unprotected sex, and statements like this one, a statement Dr. Coleman makes several times in the book, is a rallying cry for people who desperately need to cling to something to prove motive behind their race hate. Moreover, most people well-versed in epidemiology will tell you that we have far more to fear simply from legal travel. A disease like Hepatitis C is small beans compared to the capacity for a super-flu to spread and cause a pandemic because of the ease of rapid air travel. Immigrants with Hepatitis C are the least of our troubles.

But the weird statements don’t stop there, and it would be disappointing if they did:

In a sense, HVC [Hepatitis C] is worse than HIV because there is no indication at the onset of the disease that one is really ill.

Well, actually, there isn’t a whole lot at the beginning of HIV contraction that lets you know you’ve contracted the disease. Obviousness of infection and delay of symptoms are actually a common trait of both conditions.

Then there are the delightful statements, like this one:

It is more desperately urgent, that we defend our liver!

Ignoring the implication that we are all sharing a single liver, I shouted a comma-less variant of this exhortation the day I stopped drinking.

Now here is why Dr. Coleman is such an excellent conspirator: He lays out interesting information that may or may not link together ideas but never really follows through, which is one of the hallmarks of excellent conspiracy:

A horrific outbreak of the Black Plague occurred in 1348, dislocating the wage and price structure producing major economic and political conditions and social crisis, and carrying away millions of people. We are presently living in the middle of economic and political conditions closely paralleling those of 1338, which fit in with the predictions of Ziegler who said a great plague would come by the year 2020. This also confirms the expectations of Hecker who said that each succeeding plague would be more virulent that the last. In 1347, famine in parts of Europe, notably in what is now Italy, helped the spread of the Black Plague. Compare this with Africa today, where millions are dying from starvation and AIDS.

Actually, Dr. Coleman rides off the rails with the AIDS comparison because despite the sheer horror of AIDS, the fact remains that it does not kill with the rapidity of yersinia pestis. A person with AIDS can live a very long time and the way the disease is spread is more selective so while it is a pandemic in parts of Africa, it is not even in the same class of rapid-death disease spread we are discussing when we talk about Black Plague. But this is a tantalizing passage because Dr. Coleman is not talking about Nostradamus-styled predictions. Phillip Ziegler is an excellent source for information about the history of the Black Death and it would have been nice if Dr. Coleman had told us how the economic and political conditions today closely parallel those of 1338 because having read Ziegler (admittedly many years ago), I don’t see the correlations. The Hecker he is referring to is J.H. Hecker and I know nothing of his work so I don’t know if Hecker is a good source, but this could have been such an interesting section if Dr. Coleman had laid out for us how we are looking at a political climate and social climate that could result in a plague. I think such conditions are here. I’ve read enough writers like Laurie Garrett to know that things could become quite dire quite quickly if conditions were right. I just want Dr. Coleman to better explain his alarmist utterings.

And I gotta tell you, his section on MRSA, though he calls it “NRSA” in his table of contents, was damn informative. I have family in the medical community who have echoed that MRSA is a nightmare, that once a hospital has a MRSA contamination, getting rid of it is dicey, that unions prevent some hospitals from removing from service nurses who test positive as being carriers for MRSA via the nose tests, and that in many cases, surgery is a crap-shoot (and if you ever read much about prion diseases, you will fear surgery for the rest of your life, believe me). I had to have a steel plate put in my ankle two years ago and I recall the weird things people told me to do after surgery. One nurse told me that after surgery that I needed to go home and run the hottest water I could stand over my incision, no matter what the doctors said. I didn’t because it would have hurt like 20 bastards in a bastard boat but I always wondered if she told me this because she felt this was a deterrent to MRSA. The parts about MRSA are as jumbled and use as interesting grammar as the rest of the book but here Dr. Coleman was on point and his paranoia, while perhaps overblown and strangely stated, was not out of bounds when healthy teenagers are picking the infection up in locker rooms and dying from it.

And then there are other sections where he starts off strong, with cogent, well-thought out points, but then he just veers off course, falls down the mountain and crashes in the valley below. In an excellent paragraph explaining what he failed to explain in the passage about the Black Plague, Dr. Coleman explains in detail how poverty, overcrowding, and crappy government in Brazil have led to a perfect storm for AIDS that could lead to a complete pandemic. Then he follows that with this:

The monsters in the Club of Rome and those running the Global 2000 mass extermination program are well pleased with their work. Barring a change of plan – - which appears totally unlikely – - billions of people will die of AIDS this decade. If Lord Bertrand Russell and H.G. Wells were alive today, they would look upon AIDS as a providential gift, a dream come true.

Dr. Coleman explains earlier in the book what the Club of Rome is and why Bertrand Russell and H.G. Wells are among history’s greatest monsters (they evidently are a part of a plot to kill off “useless eaters”) but I’m weary, the explanations are suitably lunatic and until I read his books on the topics themselves, I will not discuss them, but I wonder why, in the face of actual evidence of wrong-doing that causes problems in the here and now we have to ascribe these ills to the machinations of two dead Brits, one so priapic he barely had time to manage his sex life with decorum, let alone plot to destroy the world a century after his death.

Dr. Coleman’s information about AZT, the drug used to treat AIDS is another instance wherein Dr. Coleman may have been presenting excellent information but the fact that he thinks that Bertrand Russell was a part of a cabal to kill off the world makes it hard to know if AZT is the poison that Dr. Coleman says it is. That’s one of the few times conspiracy theory makes me unhappy – when conspiracy folk may have an excellent point but you can’t trust in it because of all the lunacy that accompanies it. A very basic Google proved that AZT is not in fact the miracle drug I had initially thought it to be. But it is… unsettling that many of the voices who bring us dissenting information are as untrustworthy in their own way as the the standard sources of news.

His take on flu viruses, especially H1N1, was timely but also unnecessarily alarmist:

According to a top scientist for the United Nations, who examined the outbreak of the deadly Ebola virus in Africa, as well as the victims of HIV/AIDS, concluded that H1N1 possesses certain transmission vectors that suggest that the new flu strain has been genetically manufactured as a military biological warfare weapon.

He goes on to cite “scientists,” who are evidently working for the UN, who say that H1N1 was a human-engineered disease, which doesn’t pass the basic skeptic sniff test. The H1N1 virus subtype has been identified for almost a century, both the avian and swine infections. I can only assume that the horror of it creating a Spanish flu-type pandemic (which was caused by the avian H1N1 virus) is one of the reasons people feared this disease so much and as I have begun to note, fear is the cause of most conspiracy. However, unless anyone can give me the mechanism by which they think this known disease was mutated to make it similar to Ebola, I call shenanigans. I can only assume that the reason anyone would link H1N1 to Ebola is because the former on occasion and the latter always cause a cytokine storm in the sufferer. But the cytokine storm was an element of the 1918 Spanish Flu pandemic so again, we’ve known for almost a century that cytokine storms can happen in flu and it would be hard to say that a flu that causes a cytokine storm is anything new.

The conspiracy continues, and this seems especially odd since Dr. Coleman understands in Brazil how poverty, overcrowding and bad government contribute to the spread of disease:

…I believe that Swine Flu will return with a vengeance once the creators of the virus have finished their new genetic model and it is once again released to run amuck throughout the world. Certainly there have been several major pandemics in the U.S. (poliomyelitis, Spanish Flu and Avian Bird all proven or suspected). With Swine Flu, there should have more than likely been well over a thousand fatalities. But what was the actual count? The only fatality was a child. Of course that has changed but why is it that so many more deaths occurred in Mexico than anywhere else. Other races, even other Hispanics, appear to contract a much milder form. Was this due to the lack of medical facilities and the state of the slums around Mexico City and other major cities? But if one looks at Rio de Janeiro and its infamous “favelez” slums –far worse than anything found in Mexico — the theory does not hold up.

Well, the epicenter of the Swine Flu outbreak occurred in Mexico City, not Rio. Had it started in Rio, would we wonder why people in Mexico City slums didn’t fall as fast or as often? No. Where a disease begins is hit the worst. North and South America had time to react and the disease spread simply didn’t occur the way some panicked epidemiologists suspected it would, exactly as what happened with recent outbreaks of SARS and Avian Flu. And as a whitey white white, I got H1N1 and have never been sicker so I am unsure where the idea that other races are less affected comes from – the people who died in the U.S. were not in slums nor were they uniformly of Mexican descent. My anecdata and the actual data simply do not bear out Dr. Coleman’s beliefs.

And it spirals down the rabbit hole from there, with incendiary insinuations that the WHO sat on information about the outbreak of Swine Flu in Mexico, the WHO may have started the outbreak and bizarre and completely unscientific assertions that it is impossible for “four different viruses from three different animals” to mutate into a single disease.

And that’s the worst part of this whole thing, the sour note at the end of this symphony of sickness: Dr. Coleman has interesting points that are made suspect or outright overshadowed by some of his more lunacy-laden beliefs. I haven’t read anything else by Dr. Coleman – maybe he has a line on information that will completely redefine how I think about Bertrand Russell – but there is enough truth in so much that is terrible in medical history that I really don’t need to know about the Club of Rome or a plan by H.G. Wells to believe terrible things have happened and have been covered up. The presence of such whackadoodlery taints the points that Dr. Coleman could drive to town and take to dinner. Hell, I consider myself a skeptic but still believe Edward Hooper’s research that indicates that AIDS is a zootrophic condition that jumped from simians to humans as a result of the development of an oral polio vaccine in Central Africa. That’s some hard core conspiracy right there but it doesn’t require a cabal of long dead elites – just the hubris of a few men who hid the bad things they did and a compliant and easily redirected medical community and press that would not and still refuses to look hard into the issue.

So, I can’t really recommend this book unless you, like me, like nothing more than out-there conspiracy and stories of disease. I think Dr. Coleman’s works, however, are going to appear here again soon, because I have had ill-will for H.G. Wells after discovering he was a plagiarist of the worst sort. I really want to believe Dr. Coleman that Wells was indeed a terrible, terrible man. But there are far better books that make the case for conspiracy and illness. Tackle one of those first before reading this. But I intend to start reading Dr. Coleman’s works apace. He seems a man who will offer a ton of insanity with a few ounces of clarity and frankly, a few ounces of clarity combined with the entertainment of good conspiracy are worth it for me.

I enjoyed Bizarro Week last November and decided I’m going to have various other themed weeks this year. First themed week is going to be another Bizarro Week starting on February 14-18. This particular Bizarro Week will focus exclusively on books released from Eraserhead Press for the New Bizarro Author Series. This go around, I am giving away one book from each author I review. In order to enter the drawing to win, all you have to do is on the day I review a book you find interesting, leave me a comment. It’s that easy. And you can leave a comment on all five reviews if you so desire. I do a random draw on my end so if the fates say you win more than once, who am I to argue?

So be sure to be here on Monday, February 14 so you can find out about some new voices in weird fiction and maybe even win a free book!

ETA: Updating this entry to let people know the authors I plan to discuss.
2/14: Uncle Sam’s Carnival of Copulating Inanimals by Kirk Jones
2/15: Muscle Memory by Steve Lowe
2/16: Love in the Time of Dinosaurs by Kirsten Alene
2/17: Felix and the Sacred Thor by James Steele
2/18: The Egg Said Nothing by Caris O’Malley

Book: Under the Skin

Author: Michel Faber

Type of Book: Fiction, horror, science fiction, indescribable

Why Do I Consider This Book Odd: This is a book that walks the line between standard horror fiction with a literary bent and yet is so deeply disturbing that it is odd by default. So, since I am sort of a bad parent and favor one child over the other, I am discussing it over here because oddbooks is soooo much better than her sister. But I find it pretty disturbing and by my own admittedly uneven criteria, I’m discussing it here.

Availability: Published by Harcourt in 2000, you can get a copy here:

Comments:This is going to be a startlingly short discussion. I am a person who is, to put it kindly, verbose. Wordy. I type too damn much sometimes. I know this. And if I let this tendency go unchecked in this discussion, I will spoil this entire book for you. This is a book wherein crucial plot points are revealed in layers. As you read, Faber reveals bits and pieces that make you wonder what is wrong, why the main character is experiencing back pain, why she looks odd, why she is stalking large, well-built men, and it call becomes clear about a third of the way into the book. The horror continues to unfold apace but in the interest of not ruining this book for anyone who wants to read it, I will have to discuss it in vagaries that may not show the true mastery of this book.

So I will have to do that which I hate doing the most. I will have to ask you to take my word for it. This book is cleverly written. It is full of pathos and a character who is working her way through physical pain, mental anguish, and moral dilemmas that could potentially render her life meaningless and cause her to become in her own mind the worst sort of monster. It is literary fiction, but at the same time, it is extreme horror. There are graphic descriptions of cruelty in this book that are fucking horrible. This is a novel that will give you no comfort, none at all, save for one scene where Isserley, the main character, manages to prevent a dog from starving to death.

The book begins with Isserley, driving along the highway system in Scotland, stalking men who meet a very specific physical criteria. Isserley is in considerable physical discomfort as she flashes her large breasts in an attempt to distract her prey, but until the plot reveals itself you don’t ever really know why it is that the mental picture Faber paints of Isserley seems so imbued with wrongness. Isserley’s shabby little car has been outfitted with a switch that deploys a needle full of knock-out drugs through the car seat where her hitchhiker pick-ups sit and once unconscious, she takes them to a farm where they meet a fate that is later explained in deep, horrific detail. If I discuss much more than this, or even convey my favorite passages, I will spoil this book and it is killing me not being able to wallow in this book to the degree I would prefer.

But I can safely say that if you like books with deep moral dilemmas, you will like this book. If you like books with explicit violence, you will like this book. If you like horror/science fiction crossovers, you will like this book. If you prefer books with excellent characterization and find understanding the heart of darkness compelling reading, you will want to read this book.

The horror is not as extreme as “extreme horror” and it is not a mystery though the plot unfolds to reveal hidden truths. This is not straightforward horror and it is not straightforward science fiction. And for people who like character-driven books, the extraordinary plot in this book may distract. But despite all the things this book can be said definitively not to be, the hybrid that remains is a creepy, disturbing, gut-wrenching, thought-provoking book. I recommend it highly.