I
Read Odd Books

Book: Dandy in the Underworld

Author: Sebastian Horsley

Type of Book: Memoir

Why I Consider(ed) This Book Odd: The cover dragged me in – what appeared to be a cute preppy boy standing in front of cubbies with human skulls in them. One of the blurbs on the back was from punk guru Legs McNeil and Horsley himself said, “I’ve suffered for my art. Now it’s your turn.” One of the front page reviews said Horsley had crucified himself as an act of performance art. So it seemed like an odd memoir up my alley – punk, self-referentially amusing, full of drugs and weirdness. At the end, this book was not so much odd to me as so annoying I wanted to vomit and find Horsley and make him eat it, but it started as an odd book and this is where I am reviewing it.

Availability: Published by a Harpers Collins imprint in 2007, you can get a copy here:

Comments: At first, I loved this book. Sebastian Horsley, the heir to a large fortune, had a miserable childhood and was able not to be a huge crying baby over it. The first 50 pages or so were so interesting to me, to the point of being enthralled. Horsley is clever, and he is not fooling himself by thinking he has much in the way of substance, but he is, at least, entertaining. He fills his prose with one-liners that the average pundit would lick dog balls to come up with off the cuff. Take, for example, this snippet:

After a while I grew bored so I started taking potshots at members of my own family while they played croquet. I’m sure I would have remembered if I had hit any of them but in love it is always the gesture that is important. In this my aim is true.

Initially, I thought, “How awesome is he? To admit shooting family members with an air rifle, right after he admits to arson as a child. And he knows what a shallow bastard he is. He is all gesture and no feeling. How refreshing to read the witty words of someone so self-involved yet so self-evolved.”

He similarly thrilled me with his clever unsentimentality when he discusses his parents’ divorce:

When a man steals your wife, there is no better revenge than to let him keep her. There was no discussion with Mother and no discussion with the children. He simply hobbled out of our lives. I barely saw him again.

It was 1973 and I was eleven. It was time for the children to leave home. This was England. The dogs were kept at home and the children sent off to high-class kennels to be trained.

And more of the same, discussing his mother’s nervous breakdown:

The feelings of passive suffering which I had inherited through Mother had cursed me with the gift of deep compassion for others. I have always found this repulsive. The problem with compassion is that it is not photogenic… Mother was eventually thrown out of the loony bin for depressing the other patients. She came home to depress her family instead.

And it goes on, almost every paragraph with at least one bit of Oscar Wilde-sort of pithy humor. These bon mots, coming from a man who is a self-confessed dandy, who values looks and his suits over any sort of depth or emotional honesty, initially are thrilling. You think Horsley is clever. You love his irreverence. You wish you knew him, even though you know he would hate you for your big pores and possession of denim.

I considered him a cross of Oscar Wilde and Sid Vicious with a bit of a Texas beauty queen thrown in for make-up skills. Then, without warning, he begins to wear thin. Very thin. The wit is excessive, the humorous pronouncements tiresome, the irreverence a substitute for innate humanity.

I was reminded of Buddy Cole, a fabulously gay character played by Scott Thompson on the old comedy sketch show The Kids in the Hall. Buddy plays the parlor game about what album, what book and what person would you want on a desert island. He selects a Johnny Mathis and Denice Williams album, the book All About Rhoda and Oscar Wilde.

Initially, Buddy and Oscar hit it off well, but within minutes, the endless pronouncements of wit, the smugness and the lack of substance tests Buddy to the point that he runs Oscar off.

This memoir is that comedy sketch. In fact, watch the comedy sketch and save yourself the time of reading this book.

So yeah, Sebastian wants to be an artist and the book has remarkably little discussion of his art. Surprise, surprise.

Book: The Redneck Manifesto: How Hillbillies, Hicks, and White Trash Became America’s Scapegoats

Author: Jim Goad

Type of Book: Non-fiction, Sociology

Why I Consider This Book Odd: Truly, this may not be a wholly odd book. But Goad himself, while not full-bore odd, is in my little odd book, and since I reviewed his book Shit Magnet on this site, I figured I should keep all my Goad reviews together. Also, since I plan to give my two cents on the ANSWER Me! collection over here, and that is a decidedly odd experience, it seems like a good plan to keep my Goad grouped. In other words, my site, my flexible criteria.

Availability: Published in 1998, Simon & Schuster still have it in print. You can get a copy here:

Comments: This is a verbose and highly personal reaction to a book. Don’t send me any e-mails complaining TL;DR. If reading long-form is not your thing, just save yourself some time and hie yourself on over to Twitter and find out what someone ate for breakfast or what they think of the newest electronic whatever, okay?

I read this book a while back and reread it recently. Damnation, did it make me think hard this go around. I initially read it because I walk an uneasy line between two worlds and wanted a take on being white trash that did not demonize it. I got a college education, I seem sort of middle class, but the fact is, deep in my heart, I am still the little white trash girl I was when I was born. My daddy was poor white trash, and mean with it, a Coors-clutching racist who genuinely thought black welfare queens were the reason he could not get ahead in life.

My mama was poor white (though not trash, certainly nuts and willing to put up with a mean, mean man for many, many years), and though we lived in the suburbs of Dallas in a relatively affluent area, I was always acutely aware I was the other. The crappy rental house where I dealt with bad plumbing, crumbling walls, roaches and even on a few occasions, rats, still haunts me to this day and is likely one of the reasons I am a clean freak. My clothes were not up to snuff until I started working and getting my own money to buy them. My hygiene, while not bad, was not as aggressive as my squeaky clean counterparts in elementary school and I recall a nurse calling me dirty one day. Other kids heard it, and she only said things like that to the black kids and the trash kids like me. I bathed twice a day from that comment on, but was still on occasion teased for my greasy haired past. The resonance of being less than middle class is still with me. I had to work hard to appear normalish and developed a knee-jerk, extreme left-wing persona to cover up my trashy roots. I spoke of white privilege as if I had been a recipient of uninterrupted societal largesse from the day I was born.

I cringe when I think about my childhood. I cringe thinking about my father. Being white trash and super-intelligent resulted in someone who became crazy and mean, a loser at the end of a self-fulfilling prophecy. The taint of his shame clung to me like the odor of a rotting soul. I overcompensated. A lot. Pretentious and tiresome. I may cringe when I think about him but I also cringe when I think about who I was until about age 25.

I can also tell you, in my own dogpatch way, that I been white trash and I been middle class. Middle class is better. But you can be both at the same time, and it would appear that I am. (I also note that Obama created a Commission on the Middle Class, or some such shit. Don’t you be fooled, you tenuous middle class. If anyone needs a commission to understand why it’s so hard to be middle class, they’re a moron. As Mr. Oddbook said, if Obama looked to the left, then to the right at every Cabinet meeting, he’d know why being middle class is so damned hard in this country.)

I had just finished rereading The Redneck Manifesto this month when I followed it with a book called Pearl by the author Mary Gordon. I have another site where I review “norm” books and I wrote about it in excruciating depth over there, but the fact is, I was shocked that a Barnard professor and such an acclaimed writer could produce such mind-numbing drek (because, you know, people the critics love never, ever, never turn out crap). Then I followed Pearl with Last Night at the Lobster by Stewart O’Nan and I loved it. It was not until I thought of Goad’s book again after I reviewed Pearl that I understood some of the reasons for my tastes and distastes.

In Pearl, no one works, or if they do, it is the sort of work that does not bear mentioning in any detail. The characters are rich, highly educated. These are the sorts of people who can afford to send a daughter to Ireland for a year so she can study language without thinking twice about cost. They travel. And when they worry, they worry about how they missed their calling in life, not whether or not they can pay the bills. Pearl, a young girl, decides to starve herself to death over the “will to harm.” She never missed a meal until that point in her life. Nor had she a job, if I remember correctly.

Last Night at the Lobster is a working class novel. Everyone is working. Busting ass. Worrying over tips. Doing hard work for too little money, but for the most part doing it well. The boss of a closing Red Lobster agonizes over who to take with him when the restaurant is closed by the head office and only five people can go to the Olive Garden. He does not want anyone, even his worst employee, to lose his or her job.

Pearl was not written for someone like me, and it was sort of a shock to realize that. Yeah, I got an education and have a veneer of the middle class about me, but the book alienated me. The privileged world of her characters was nothing but a high-minded moral struggle, playing out choices no one without a trust fund would ever have to worry about. I have no idea what Gordon’s background is, but her books are not for the likes of me, a girl who has been a maid, worked retail, waiting on people and literally cleaning up their shit. All the moral dithering. Who has that kind of time in the real world (and yes, as a person who runs two review sites where I pontificate over books, I sort of see the hilarity in that statement)?

Last Night at the Lobster reminded me of the camaraderie I have felt at my scraping-by jobs. People may look at my husband and me and think we are middle class but we are hanging by a thread, like everyone else in the middle class, it seems. As I recently learned, I could go from white collar to blue in a heart beat. I related to the work, to the need to do the job well even when the rewards were so minimal. I understood Manny. I got it.

Pearl was like a lecture on high-brow literary theory. Lobster was like a letter from an old friend.

And I remembered, no matter what, you get raised white trash, you stay that way. And it doesn’t matter how many “good” jobs I have had or how much money my husband makes. My sympathies will always be with people who work and people for whom life has not been a monied cake walk. It took me a long time to understand this, that my world does not break down the way the world does for a rich, white woman. Class means more to me than race, and frankly, the only reason I can say this is because I am, indeed, white. Being poor and Hispanic or black is not something I can discuss nor should I even try. All I am talking about here is my own life, my own reaction, and how class made me feel inferior and as if I had to hide, lie and act my way into a way of life that promised advancement even though the color of my skin made it seem as if such struggles were not anything I would have to worry about.

There’s a lot to Goad’s book and I hope the historical and social punch in the face it offers does not get lost in my reaction. While there is likely no one on the planet who agrees with everything Goad says, myself included, I agreed with far more of what he had to say this go around than when I first read the book. The book is interestingly researched, with source cites that run from Edward Abbey to Howard Zinn. The first third reads as an alternative history lesson, one that made perfect sense when I read it, but the implications of which probably didn’t stay with me when I initially learned it because extreme leftism embraces a notion of continuous, uninterrupted white privilege that is heresy to deny. The middle third was a look at the contemporary mores of the working class/white trash culture and the last third was a sociological look at how, in America where we all wanna be rich or die trying, no one seems to get the fact that we at the bottom benefit the powers that keep us here each time we snap at each other’s neck.

Yeah, I’m still a liberal after writing this review – just a white trash liberal.

Book: The Diary of a Rapist

Author: Evan S. Connell

Type of Book: Fiction, depictions of madness

Why I Consider this Book Odd: Initially, the title made me suspect, but it was born out as I read this book, a graphic depiction into the the mind of a man who presumably rapes a woman yet still sees himself as potentially courting her. Also, A.M. Homes gives the introduction and while she is not full-bore odd, per se, she hovers in the fringes of odd so her presence in this book was the final seal on the odd deal.

Availability: Reissued by New York Review Books, you can get a copy here:

Comments: My god, I am a sucker for depictions of madness, and Earl Summerfield runs the gamut of many ways human madness can express itself. This is not the tale of someone descending into madness. It is the tale of a full-bore madman from the very beginning.

I generally do not read reviews of books before I review them myself but I read some other opinions out there before I began this review. There are some for whom Earl Summerfield is the precursor to the modern Everyman, a person made mad by the world around him. For me this did not ring true. Earl was not made mad. He is mad. He is mad because he is a misogynistic paranoid with violent tendencies. This conclusion did not make this book any the less a compelling read. Connell could not have done a better job painting a picture of a repellent, insane human being.

Written in 1966, this book is a diary that begins on January 1. In his diary, Earl recounts his tug of war in the world. His love and hatred for his wife, who is older than him and able to get along in the world much better than he. His love and hatred for himself. His love and hatred for the world. Among his often bizarre recounts of his life, his utter misogyny and pedophilic tendencies begin to reveal themselves. He swings between moods of narcissistic euphoria and complete self-loathing. He one day respects his co-workers and the next despises them and feels a sense of paranoia behind all their activities.

Occasionally, he has cause to feel a sense of grinding down, like then his supervisor at work chides him to scurry to his desk faster because the head honcho wants to see an increase in productivity. His is a job in which he fears even doodling because his supervisors pace behind him as he fills out unemployment claims for men he despises. His job is repetitive and he has two passive-aggressive supervisors who pounce on his every mistake, yet so hungry is Earl for any sort of recognition in his monotonous work world, he takes information that he makes few mistakes and has been late the least as a sign that he is in line for a grand promotion. But his workplace cannot be blamed for his insanity. His work-world is Kafka-esque but the boredom and minor humiliations he experiences are not enough to turn a man into a pedophile, a rapist and a wife-hating narcissist. This is why I disagree with those who think the intensity of the modern world made Earl mad. No one who was not insane to begin with ends up like Earl because of a job. Earl is a lunatic because Earl is Earl, not because his workplace is devoid of soul.

Earl is, however, a very accurate depiction of mental illness that becomes violent. He avidly reads and records terrible crimes in his diary and clips news articles for a scrapbook, at times writing words of outrage at how terrible the world is, and other times sympathizing with those who commit crimes to a degree that makes the reader wonder how involved Earl might have been in some of the crimes he reads about.

Interestingly, Earl does not write about the terrible crime he commits, at least not on the day it happens, and under this jump there be spoilers of sorts

Book: Sex Dungeon for Sale!

Author: Patrick Wensink

Why I Consider This Book Odd: Well, Eraserhead Press published this book, and they are generally a pretty good weather vane for oddness. But I also suspected the book was odd because the author contacted me so he could send me an ARC because he wanted me to review it (yes, an ARC!!! I swear to god I almost wept because only certified, authentic reviewers get ARCs, right? Right?). If an author reads this site for any reason, chances are his literary output is going to be odd.

Also, I heartily encourage this trend of sending me actual books. Not only would I get free books, but my delusions of grandeur mean I am likely to review said book because I am still in the early OMG THIS MEANS I AM A REAL CRITIC stage of the game. So yeah, send me your odd books, odd authors. Also, I am not above using the emotion card, so send them to me because I love you. All of you. Even that weirdo living in a basement who keeps e-mailing me chapters of his novel about his dog’s wang.

Type of Book: Fiction, short stories, flash fiction, bizarro

Availability: Published by Eraserhead Press in 2009, you can get a copy here:

Comments: Okay, yeah, this was my first book offered to me because I review odd books, but don’t let that make you think I am gonna give this book a sweetheart review on that merit alone. Also, I’m not giving it a sweetheart review because I’m a known sucker for flash fiction and short, short stories. I’m giving it a sweetheart review because it is a good book. The stories, some odder than others, are all pretty solid, and one of the stories has resonated with me as being not only a clever concept, but haunting and upsetting.

This book may actually be a good bridge into bizarro for some readers because while it is odd, it does not cross wholly into the full-bore weirdness one experiences reading Carlton Mellick III, one of the best-known bizarros. Additionally, these stories are very much, for the most part, grounded in reality, not incorporating the heavy use of magical realism that one sees so much of in bizarro. I find magical realism amazing when done well, but it is no black mark against Sex Dungeons for Sale! that the stories are so grounded. I know many think that bizarro is schtick, the replacement for pulp sci-fi for a more jaded generation and they are wrong. While bizarro’s certainly entertaining, increasingly the writers in the genre produce literary quality works, pieces that would not be out of place in Zoetrope or Zyzzyva. That is why I think, for those who want to dip their toes into high weirdness, Wensink’s book would be a good starting place. I could see some of these stories in edgy mainstream lit journals. They are odd, but odd in a way that is extremely relatable.

Wensink’s stories are clever, amusing, and in one case, disturbing

Book: Calls to Mystic Alice: A Psychic and Her “Spooks” Explain Karma, Reincarnation, and Everything Else You Forgot on Your Way to Earth

Author: Alice Rose Morgan

Why I Consider This Book Odd: This is one I declared odd based solely on the title and subtitle and my instincts were correct. New Age Fluff for the win.

Type of Book: New Age, New Age Fluff

Availability: Published by Llewellyn, that bastion of alternative religious ideas, in 2006, this book is still available. You can get a copy here:

Comments: I am not one to suffer New Age Squick lightly, though I love New Age Fluff. The difference between Squick and Fluff can be a hard line to see for some of my readers, but I define it thusly: If a book features endless accounts of people putting themselves in hardcore danger because us Westerners are too arrogant to see things correctly, it is Squick. Think back to Aunt Ruth in People Who Don’t Know They’re Dead and how she refused all medical treatment for her cancer and tried to treat it with crystals on pendulums and what amounted to self-affirmations? The woman who very likely died in extraordinary pain because she rejected the evils of Western medicine. That, my friends, is New Age Squick.

Now, if a book seems like it was written by your sweet granny, and includes a mish mash of world religion presented in a respectful, though at times baffling way, and the person writing it seems more like they have your best interests at heart rather than pushing a bizarre agenda that involves but is not limited to dead scientists on the planet Marduk telling us how to live, then you are dealing with New Age Fluff. Calls to Mystic Alice is New Age Fluff, and fun Fluff at that, the sort of Fluff that doesn’t leave you feeling greasy and smelling of cigarette smoke the way reading Sylvia Browne does.

Evidently, Alice Rose Morgan hails from and procreated her own family of people with odd abilities. Without even an ounce of awareness that Phillip Roth wrote The Human Stain, Alice Rose insists that “Spooks” reveal to her knowledge, knowledge that not only helps her discover the truth in her own life, but leads her to be able to tell others how to find their own answers. Alice claims she never advertised her business, the whole phone call thing being from word of mouth, people sending her checks after the readings, and I sort of believe that was the case before this book was written. Still, I managed to find a website for Mystic Alice with a contact page at www.callstomysticalice.com. However, the server seems to be down as of this writing. Perhaps Alice’s spooks worried that she was becoming too commercial.

Alice has many interesting view points, and gosh darn it, she’s adorable!